My husband and I recently finished watching New Japan's Wrestle Kingdom (Japanese wrestling's version of the World Series).   Of course, it was incredible with fantastic matches, and far superior than any US promotion.

I also went nuts over the entrances.  

The entrances are my favorite parts.  Impressive wrestling aside, the entrances, costumes, and music touch my theater side.  I've worked as a theater producer, dramaturg, director, playwright, costume designer, and probably many other things I don't remember.  I adore the pageantry, the flaunting magnanimity, and the genius certain wrestlers have with their look and characters.  Some know how to communicate their characters using only their body.  Others have some of the most ornate costumes I've ever seen, some worthy of the Met Gala red carpet.  

My husband suggested I throw a letter in a bottle into the internet offering my services to be a Wrestling Artistic Consultant.  Of course, why pick me to help, other than I'm free (for the moment)?

I know what I'm talking about.

​So let's talk about who I like, why I like them, and what flaws I feel they have:

One of the greatest pleasures I have watching wrestling are the entrances.  In Wrestlemania, the entrances are bigger, grander, full of pyrotechnics and costumes that are beyond the scope of every day episodes of RAW or Smackdown.  In New Japan Pro Wrestling, the G1 Climax or Wrestlekingdom are the great events which inspire the best, most gorgeous outfits and regal entrances.  As for Lucha Underground, it seems as if every day is a day for pagentry, as the lucha style of wrestling is full of color and high drama.  And all of it is delicious.  

Below is a brief collection of my favorite wrestlers and their gorgeous pageantry.  There are many more I could have added, such as Sasha Banks, Bailey, The New Day, Shinsuke Nakamura, Bobby Roode, and Becky Lynch.  The list does go on and on.  These few are the ones I especially love.

I mention Balor first not because of his 0% body fat physique, but because of the body paint.  I've worked with body paint in theater productions, and it is extremely time consuming and always on the verge of being rubbed or sweated off.  What Balor and his artist achieve is continually stunning.  Yes, most of the paint gets rubbed off on wrestlers, but it works with the character.  Balor enters as the demon, a force that he taps into like a superpower.  At the end of the match, the demon has been exorcised, almost washed clean away, and once again he's Finn Balor.